Wakeman was not pleased with yesplay the record and is critical of much of its material. It went on to top the UK charts for two weeks while reaching number 6 in the US, and became the band’s fourth consecutive gold album. Tales from Topographic Oceans was the band’s sixth studio album, released on 7 December 1973.
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One of the album tracks, “Homeworld (The Ladder)”, was written for Relic Entertainment’s Homeworld, a real-time strategy computer game, and was used as the credits and outro theme. The Ladder also featured Latin music ingredients and clear world music influences, mostly brought in by Alan White (although Fairbairn’s multi-instrumentalist colleague Randy Raine-Reusch made a strong contribution to the album’s textures). With Khoroshev’s classically influenced keyboard style, and with all members now making more or less equal writing contributions, the band’s sound found a balance between its eclectic 1970s progressive rock style and the more polished pop sound sought on the previous album. Anderson and Howe, who had been less involved with the writing and production on Open Your Eyes than they’d wished, would express dissatisfaction about the album later.citation needed
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The tour was also dogged by legal battles sparked by Atlantic Records due to the band’s references to Yes in promotional materials and the tour title.citation needed ABWH toured in 1989 and 1990 as “An Evening of Yes Music” which featured Levin, keyboardist Julian Colbeck, and guitarist Milton McDonald as support musicians. It later emerged that the four band members had not all recorded together; Anderson and producer Chris Kimsey slotted their parts into place. The project, rather than taking over or otherwise using the Yes name, was called Anderson Bruford Wakeman Howe (ABWH).citation needed He took leave of the band, asserting that he would never stay in Yes purely for the money, and started work in Montserrat on a solo project that eventually involved Wakeman, Howe and Bruford. However, with all the other band members having been members of Yes (with three of them being original members, including the distinctive lead singer) the name change was considered sound commercial strategy.
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- By the end of 1988, Anderson felt creatively sidelined by Rabin and Squire and had grown tired of the musical direction of the “Yes-West” line-up.
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- It went on to top the UK charts for two weeks while reaching number 6 in the US, and became the band’s fourth consecutive gold album.
- The tour was also dogged by legal battles sparked by Atlantic Records due to the band’s references to Yes in promotional materials and the tour title.citation needed
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The live Yes album and DVD, In the Present – Live from Lyon, taken from the band’s previous tour, were released in the same year.citation needed Their 2010 studio sessions would yield material eventually to be released as From a Page. Anderson has said that they had been preparing four new “lengthy, multi-movement compositions” for the world tour, but he had expressed disinterest in producing a new studio album after the low sales of Magnification, suggesting that recording one was not “logical anymore”. Anderson toured jointly with Wakeman, for concerts focused largely on Yes material, White joined fellow Yes-men Tony Kaye and Billy Sherwood in Circa, and Howe reunited to record, release and tour with once-and-future Yes bandmate Geoff Downes in the reunion of the original Asia line-up. Squire, Howe and White reunited for one night only with former members Trevor Horn, Trevor Rabin and Geoff Downes during a show celebrating Horn’s career, performing three Yes songs. These editions would be collected in 2013 as The Studio Albums 1969–1987 box set, with Big Generator also receiving the same treatment.citation needed On 18 March 2003, minor planet (7707) Yes was named in honour of the band.
This was followed by the previously unreleased music release From a Page, mostly written by Oliver Wakeman. The tour included guests Dylan Howe (Steve’s son), Trevor Horn, Tony Kaye, Tom Brislin, and Patrick Moraz, who had last performed with Yes in 1976. In the ceremony, Anderson, Howe, Rabin, Wakeman, and White performed “Roundabout” with Lee on bass, followed by “Owner of a Lonely Heart” with Howe on bass.
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Union sold approximately 1.5 million copies worldwide, and peaked at number 7 in the UK and number 15 in the US charts. Howe described the nomination for a track he had recorded solo at home as “pure justice”, following the difficulties in making the album. Squire sang background vocals on a few of the ABWH tracks, with Tony Levin playing all the bass on those songs. Arista now suggested that the “Yes-West” group, with Anderson on vocals, record the songs from Rabin’s demo tape and add them to the incomplete ABWH album, which would then be released as a full album under the Yes name.citation needed
This collaboration led to suggestions that there would be some kind of reformation of the “classic” Yes, although from the start the project had included bass player Tony Levin, whom Bruford had worked with in King Crimson. By the end of 1988, Anderson felt creatively sidelined by Rabin and Squire and had grown tired of the musical direction of the “Yes-West” line-up. The 1987–1988 tour ended with an appearance at Madison Square Garden on 14 May 1988 as part of Atlantic Records 40th anniversary concert.citation needed
At one point the new songs were to be released as a studio album, but commercial considerations meant that the new tracks were eventually packaged with the remainder of the 1996 San Luis Obispo shows in November 1997 on Keys to Ascension 2. Yes continued to record new tracks in the studio, drawing some material written around the time of the XYZ project. Meanwhile, Squire encountered Jon Anderson (who, since leaving Yes, had released two solo albums and had success with the Jon and Vangelis project) at a Los Angeles party and, encouraged by Atlantic Records vice-president Phil Carson, played Anderson the Cinema demo tracks. The record displayed a heavier, harder sound than the material Yes recorded with Anderson and Wakeman in 1979, opening with the lengthy hard rocker “Machine Messiah”.
Tormato was released in September 1978 at the height of punk rock in England, during which the music press criticised Yes as representing the bloated excesses of early-1970s progressive rock. Upon its release in July 1977, Going for the One topped the UK album charts for two weeks and reached number 8 in the US “Wonderous Stories” and “Going for the One” were released as singles in the UK and reached numbers 7 and 25, respectively. Moraz was let go, after Wakeman was booked initially on a session musician basis, before being convinced by Squire to re-join the band full time. It was then that Anderson sent early versions of “Going for the One” and “Wonderous Stories” to Wakeman, who felt he could contribute to such material better than the band’s past releases.